Anytime signature with a top number of 6, 9, 12, 15, and so on according to the multiples of 3 is a compound time signature. However, 3/4 and 3/8 aren’t compound time signatures because the top number is 3 (they’re simple time signatures). The most common compound time signatures are 6/8, 9/8, and 12/8. Each beat is divided into

Its important to note that 5/4 with accents on the 1 and 4 feels just like 3 + 2 (ala Take 5) and 6/8 generally feels like 2/4 with triplets instead of 1/4 notes (like House of the Rising Sun). But if you listen to anything that really f&*ks with time signatures, these rules will fall apart quickly. Listen to Schism by Tool, for instance.
54 Time Signature. 5/4 is the most popular odd time signature precisely because of its irregularity. It doesn’t fit into an easy to understand rhythm, so it’s a very popular time signature in jazz! It’s usually counted in a group of three-quarter notes followed by two groups of eight notes, or vice versa. These two groups feature two
The“pulse” in a 6/8 is the dotted quarter note (aka 1.5 quarter notes) while for 3/4 it’s the quarter note. Technically they’re the “same” in the sense that any music written in 3/4 can be read in 6/8 and vice versa, but it completely changes the
Whatit all comes down to is convention. 7/4 is for longer patterns like Money, 7/8 is essentially 3/4 with a hiccup. 3/8 is always felt in 1, 3/4 can be felt in 3 or in 1. For simple meter the bottom number is 4 unless it's a march in which case it can be 2. pixiepiper.

14: Meter and Time Signatures. Page ID. Robin Wharton and Kris Shaffer eds. Open Music Theory via Hybrid Pedagogy Publishing. Meter involves the way multiple pulse layers work together to organize music in time. Standard meters in Western music can be classified into simple meters and compound meters, as well as duple, triple, and

44 is the most used time signature in jazz because it´s not as closed as 2/4 and 3/4 and allows more rhythmic variations inside the bar. 4/4 is related to dancing. Unusual time signatures are difficult to dance. Toots Thielemans. The Whistler and his Guitar (1964). “Bluesette”. 3/4. 68 time signature has six eighth notes in each measure. It’s in compound meter, with two large groups of three eighth-note beats each. Thus, it has a feel of two “big beats” with accents on beats 1 and 4, while 3/4 has a
Arhythm with counts in a compound duple meter. Each measure in this time signature should have two beats (take the “6”—the top number—and divide it by three; the result, two, indicates a duple meter). Each dotted quarter note (the beat) gets a count, which is still expressed in. Arabic numerals.
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  • 5 4 vs 5 8 time signature